This is the state of man: to-day he puts forth The tender leaves of hope; to-morrow blossoms, And bears his blushing honours thick upon him: The third day comes a frost, a killing frost, And, when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do.
—William Shakespeare. (1613). Henry VIII.

This is the state of man: to-day he puts forth
The tender leaves of hope; to-morrow blossoms,
And bears his blushing honours thick upon him:
The third day comes a frost, a killing frost,
And, when he thinks, good easy man, full surely
His greatness is a-ripening, nips his root,
And then he falls, as I do.

—William Shakespeare. (1613). Henry VIII.

William-Adolphe Bouguereau (1878). “The Nymphaeum.”

William-Adolphe Bouguereau (1878). “The Nymphaeum.”

Frederic Fontenoy. (1988). “M # 17” from Métamorphose. Slit-scan photographic self-portrait.

Frederic Fontenoy. (1988). “M # 17” from Métamorphose. Slit-scan photographic self-portrait.

Andrei Artemyeff. (n.d.) “Albina.”

Andrei Artemyeff. (n.d.) “Albina.”

The world turns softly Not to spill its lakes and rivers, The water is held in its arms And the sky is held in the water. What is water, That pours silver, And can hold the sky?
—Hilda Conkling (1920). “Water” in Poems From A Little Girl. New Yor: Frederick A. Stokes Company.

The world turns softly
Not to spill its lakes and rivers,
The water is held in its arms
And the sky is held in the water.
What is water,
That pours silver,
And can hold the sky?

—Hilda Conkling (1920). “Water” in Poems From A Little Girl. New Yor: Frederick A. Stokes Company.

(via jiffysquid)

“It is impossible, that man should not be a part of Nature, or that he should be capable of undergoing no changes, save such as can be understood through his nature only as their adequate cause.”—Baruch Spinoza. (1677). Ethics, Part IV: Of Human Bondage, or the Strength of the Emotions. 

“It is impossible, that man should not be a part of Nature, or that he should be capable of undergoing no changes, save such as can be understood through his nature only as their adequate cause.”

—Baruch Spinoza. (1677). Ethics, Part IV: Of Human Bondage, or the Strength of the Emotions. 

(via fatallysweet)

Gustav Klimt. (1889). “Allegory of Sculpture.”

Gustav Klimt. (1889). “Allegory of Sculpture.”

(via arfur)

“I see it all perfectly; there are two possible situations — one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it — you will regret both.”
—Søren Kierkegaard. (1843). Either/Or. Copenhagen: C.A. Reitzel.
Photograph of Tanner Tillung by Hedi Slimate.

“I see it all perfectly; there are two possible situations — one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it — you will regret both.”

Søren Kierkegaard. (1843). Either/Or. Copenhagen: C.A. Reitzel.

Photograph of Tanner Tillung by Hedi Slimate.

(via meineknipserei)

Jeffrey Scott. (2003). “Glass Box.”

Jeffrey Scott. (2003). “Glass Box.”

Paul Gauguin. (1892). “The Spirit of the Dead Watching.”

Paul Gauguin. (1892). “The Spirit of the Dead Watching.”

For youth no less becomesThe light and careless livery that it wears,Than settled age his sables, and his weedsImporting health and graveness.—William Shakespeare. (1601). Hamlet. Act IV, scene 7.

For youth no less becomes
The light and careless livery that it wears,
Than settled age his sables, and his weeds
Importing health and graveness.

—William Shakespeare. (1601). Hamlet. Act IV, scene 7.

(via perfectlymale)

petitpoulailler:

oldpainting: José Julio Souza Pinto (Portuguese, 1856-1939) ~ La Baignade [Bathing]

petitpoulailler:

oldpainting: José Julio Souza Pinto (Portuguese, 1856-1939) ~ La Baignade [Bathing]

Vincent Chaillet photographed by Gregory Derkenne for Repetto Collection Danse 2010-2011.

(via tgrade5)

Paul Désiré Trouillebert. (1880). “The Nude Snake Charmer.” Oil on canvas, 175.2 x 120 cm, private collection.

Paul Désiré Trouillebert. (1880). “The Nude Snake Charmer.” Oil on canvas, 175.2 x 120 cm, private collection.

(via thefineartnude)